林景琨Jingkun Lin

林景琨毕业于中国音乐学院，主修钢琴，师从杨爽副教授；其后完成英国皇家北方音乐学院（Royal Northern College of Music）音乐硕士学位，师从 Stephen Savage。目前，他在蒙斯皇家音乐学院（ARTS²）攻读艺术家文凭，研究方向集中于浪漫主义作品，并在长期演出实践中，通过对音色、结构与时间感的细致推敲，探索演奏与聆听之间更立体的联系。 Jingkun Lin graduated from the China Conservatory of Music, majoring in Piano under Associate Professor Shuang Yang, and subsequently completed his Master of Music degree at the Royal Northern College of Music (RNCM) under Stephen Savage. Currently, he is pursuing an Artist Diploma at the Royal Conservatory of Mons (ARTS²), focusing his research on Romantic works. Through long-term performance practice, he explores the three-dimensional connection between playing and listening by meticulously scrutinizing timbre, structure, and the sense of time.

在演出方面，他持续以策划者与演奏者的双重身份活动，先后推出多场主题鲜明的独奏及跨媒介音乐会，其中包括向肖邦致敬的《Ephemeral Reflections》、聚焦浪漫主义传统的《Only Romanticism》、以“东方旅程”为线索的《Debussy’s Journey to the East》，以及围绕日常感受的《Enjoy the Moment》等项目。同时，他发起并策划“世纪艺术”系列演出，尝试将音乐与城市、观众与空间之间的关系置于同一叙事结构中，使每一场演出都成为一次关于感受力和精神状态的现场观察。 In performance, he maintains a dual identity as curator and performer, launching numerous distinctively themed solo and cross-media concerts. These include Ephemeral Reflections paying homage to Chopin, Only Romanticism focusing on the Romantic tradition, Debussy’s Journey to the East following the clue of an "Eastern Journey," and Enjoy the Moment centering on daily sensations. Simultaneously, he initiated and curated the "Century of Art" series, attempting to place the relationships between music and the city, and the audience and space, within the same narrative structure, making each performance a live observation of sensibility and spiritual state.

在录音与出版方面，林景琨以“作品组群”的方式展开创作，陆续完成并发行《Chopin: 24 Preludes Op. 28》《Debussy: Suite Bergamasque》《Brahms: Intermezzo Op.118 No.2 – To My Love》《Chopin: Nocturne Op.48 No.1》等录音计划。这些作品以不同作曲家与不同时期的声响世界为线索，呈现他对时间、记忆与情感层次的理解。目前录音已上线 Apple Music、Spotify 等平台，并作为他后续艺术项目与多感官实践的重要基础。 In recording and publishing, Lin approaches creation via "groups of works," successively completing and releasing recording projects such as Chopin: 24 Preludes Op. 28, Debussy: Suite Bergamasque, Brahms: Intermezzo Op.118 No.2 – To My Love, and Chopin: Nocturne Op.48 No.1. These works use the sonic worlds of different composers and periods as clues to present his understanding of time, memory, and emotional layers. His recordings are now available on platforms like Apple Music and Spotify, serving as an important foundation for his subsequent art projects and multi-sensory practices.

在舞台之外，他将创作延伸至策划与跨媒介实践，发起并参与多个结合音乐、文字与影像的项目，从概念设定、节目结构到现场呈现，持续思考艺术如何进入当代人的日常经验，以及观众如何在艺术之中重新感受到自己的精神位置。 Beyond the stage, he extends his creativity into curation and cross-media practices, initiating and participating in various projects combining music, text, and imagery. From concept setting and program structure to live presentation, he continuously reflects on how art enters the daily experience of contemporary people and how audiences can rediscover their spiritual position within art.

基于对感官经验与精神世界的思考，他创立多感官艺术品牌 JIMUSE。JIMUSE 以“听觉·视觉·创作”为核心方向，将钢琴演奏、摄影与文字整合为一个整体结构，在不同场域中构建可被感知的艺术空间，关注感官与精神之间的内在链接。通过多层次的感受线索与具体项目的累积，JIMUSE 以一种持续展开的方式，邀请人们在体验中逐渐靠近自身的精神世界。 Based on his reflections on sensory experience and the spiritual world, he founded the multi-sensory art brand JIMUSE. With "Auditory · Visual · Creation" as its core direction, JIMUSE integrates piano performance, photography, and text into a holistic structure, constructing perceptible art spaces in different fields and focusing on the inner link between the senses and the spirit. Through multi-layered sensory clues and the accumulation of specific projects, JIMUSE invites people to gradually approach their own spiritual worlds through experience in a continuously unfolding manner.

作为钢琴家、策展人及 JIMUSE 的创始人，林景琨将演出、策划与品牌实践视为同一条路径的不同层面，在时间的累积中构建一套围绕感受力、精神世界与当代艺术实践的连续叙事。 As a pianist, curator, and founder of JIMUSE, Jingkun Lin views performance, curation, and brand practice as different facets of the same path, building a continuous narrative around sensibility, the spiritual world, and contemporary art practice through the accumulation of time.